Angauwa 2025
| by Joshua Mostafa | |
| Directed by Augusta Supple | |
| Parramatta’s Lit / Sydney Fringe 2025 | |
Rebhur |
Shakespeare in Love 2024
| Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall |
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| Directed by Madeleine Withington | |
| New Theatre 13th Nov – 14th Dec 2024 | |
Tilney / Robert De Lesseps / Boatman / Nol |
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| An entertaining exploration of the theatre, creativity, individuality, identity and the power of inspiration. Absolute Theatre | |
| With moments of clever humour, heartfelt performances, enthusiastic actors, and inventive staging, this production celebrates the magic of storytelling and the enduring allure of love. Stage Door Podcast | |
| A fabulous production, which brims with passion, love, and laughter. Guide to Gay |
Hangmen 2024
| by Martin McDonagh | |
| Directed by Deborah Mulhall | |
| New Theatre 14th Aug – 14th Sept 2024 | |
Arthur |
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| The supporting cast is terrific. City Hub | |
| The ‘regulars’ at the pub played by Gerry Mullay, Reuben and Tom Massey – provide a different type of humour as they kowtow to Wade. Stage Whispers | |
| The entire cast do brilliant comic work Theatre Red |
Persuasion 2019
| by Jane Austen Adapted by Tim Luscombe | |
| Directed by Trudy Ritchie | |
| Genesian Theatre 29th Jun – 17th Aug 2019 | |
Sir Walter Elliot |
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| Tom Massey plays the rotund, ineffectual Sir Walter Elliot with vaudevillian aplomb. City Hub | |
| Also impressive was Tom Massey as Sir Walter Elliot. Absolute Theatre | |
| Tom Massey gives a stand-out performance. Sydney Arts Guide |
Three Sisters 2015
| by Anton Chekhov Translated by Brian Friel | |
| Directed by Timothy Bennett | |
| Genesian Theatre 17th Oct – 14th Nov 2015 | |
Andrey |
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| Tom Massey as their highly strung, easily mocked brother Andrey who sees his academic ambitions turn to dust after he falls into an exasperating marriage that pressures him into reckless gambling. Sydney Arts Guide |
The Winslow Boy 2015
| by Terence Rattigan | |
| Directed by Nanette Frew | |
| Genesian Theatre 17th Jan – 14th Feb 2015 | |
Desmond Curry |
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| Roles such as Desmond Curry are delightfully nuanced and given great care by the performer, in this case Tom Massey. Lisa Thatcher | |
| Tom Massey is amusing as the bumbling solicitor, Desmond Curry, whose unrequited love for Kate is touchingly portrayed. Stage Whispers | |
| Desmond Curry is played with consummate awkwardness and subtleties of nervous tic by Tom Massey. Sydney Arts Guide |
Dangerous Corner 2013
| by J.B. Priestley | |
| Directed by Peter Lavelle | |
| Genesian Theatre 6th Jul – 10th Aug 2013 | |
Robert Caplan |
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| Elinor Portch and Tom Massey are excellent as Robert and Freda. Lisa Thatcher | |
| Massey convincingly conveyed how his characters’ sunny, trusting nature steadily lost its gloss. Sydney Arts Guide |
Great Expectations 2012
| by Charles Dickens | |
| Adapted & Directed by Roger Gimblett | |
| Genesian Theatre 26th May – 30th Jun 2012 | |
Magwitch |
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| The appearance of Magwitch (Tom Massey) from the gravestones is just as frightening as I remember it in the black and white movie I saw as a child. Massey is fearful and threatening and demanding. Stage Whispers | |
| Coarse convict Magwitch well played by Tom Massey. Sydney Arts Guide |
Terra Nova 2012
| by Ted Tally | |
| Directed by Mark Langham | |
| Genesian Theatre 14th Jan – 4th Feb 2012 | |
Roald Amundsen |
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| Tom Massey is an efficacious antihero, as Norwegian rival for the unholy grail, Roald Amundsen. Loud, proud, built like an ox with a mentality to match. Australian Stage | |
| Tom Massey is strong and unerring as his nemesis and rival, Roald Amundsen. Stage Whispers |
Journey’s End 2010
| by R.C. Sherriff | |
| Directed by Debbie Smith | |
| Genesian Theatre 13th Mar – 24th Apr 2010 | |
Trotter |
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| Trotter is depicted vividly by Tom Massey. Australian Stage |
Lord Arthur Savile’s Crime 2010
| by Constance Cox from the story by Oscar Wilde | |
| Directed by Timothy Bennett | |
| Genesian Theatre 16th Jan – 27th Feb 2010 | |
Herr Winkelkopf |
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| As Herr Winkelkopf, Tom Massey gave a good, mad professor kind of performance. Sydney Arts Guide |
The Hollow 2007
| by Agatha Christie | |
| Directed by Paula Bate | |
| Genesian Theatre 7th Jul – 25th Aug 2007 | |
Edward Angkatell |
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The Tempest 2007
| by William Shakespeare | |
| Directed by Roger Gimblett | |
| Genesian Theatre 3rd Mar – 28th Apr 2007 | |
Caliban |
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Mad About Men 2006
| by Peter Blackmore | |
| Directed by Shane Bates | |
| Genesian Theatre 4th Nov – 16th Dec 2006 | |
Jeff Saunders |
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A Man for all Seasons 2006
| by Robert Bolt | |
| Directed by Joyce Birch | |
| Genesian Theatre 8th Jul – 19th Aug 2006 | |
Will Roper |
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The Wind in the Willows 2006
| by Kenneth Grahame Adapted by Alan Bennett | |
| Directed by Rebekah Jennings | |
| Genesian Theatre 13th May – 24th Jun 2006 | |
Mole |
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Brideshead Revisited 2006
| by Evelyn Waugh Adapted by Roger Parsley | |
| Directed by Roger Gimblett | |
| RGP, Tom Mann Theatre 29th Mar – 9th Apr 2006 | |
Bridey |
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Worry Warts 2006
| by Morris Gleitzman Adapted for the stage by Monkey Baa | |
| Directed by Timothy Bennett | |
| Genesian Theatre 6th Jan – 18th Feb 2006 | |
Mr Shipley |
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Sense and Sensibility 2005
| by Jane Austen Adapted by Pamela Whalan | |
| Directed by Pamela Whalan | |
| Genesian Theatre 4th Nov – 17th Dec 2005 | |
John Dashwood |
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The School for Scandal 2005
| by Richard Brinsley Sheridan | |
| Karen O’Brien-Hall | |
| Genesian Theatre 3rd Mar – 28th Apr 2005 | |
Trip |
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Habeas Corpus 2004
| by Alan Bennett | |
| Directed by Dennis Went | |
| Chester Street Theatre 5th Nov – 27th Nov 2004 | |
Dennis Wicksteed |
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Relative Values 2004
| by Noël Coward | |
| Directed by Rebekah Jennings | |
| Genesian Theatre 8th Jul – 19th Aug 2004 | |
Nigel |
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