Tom Massey plays the rotund, ineffectual Sir Walter Elliot with vaudevillian aplomb. City Hub
Roles such as Desmond Curry are delightfully nuanced and given great care by the performer, in this case Tom Massey. Lisa Thatcher
Tom Massey is an efficacious antihero, as Norwegian rival for the unholy grail, Roald Amundsen. Loud, proud, built like an ox with a mentality to match. Australian Stage
Tom first set foot on stage age five in an open air school production and hasn’t stopped acting since! Coming up through school plays and musicals, on to productions at Sydney Uni with SUDS, and now for over 25 years multiple performances with many Sydney independent and community theatre companies. He has acted in over 30 stage productions in his career. He has also appeared in a number of short films and TVCs!
Tom leads with his heart in his acting keeping it relatable with the beautiful reality of human awkwardness, delivering solid work that feels lived in rather than performed.
Commercial
|
|
|
|
|
| NAATI |
Legal Officer |
SBS |
dir. Angus Gordon |
2026 |
| Koala |
Bear |
Collider |
dir. Dylan Duclos |
2025 |
| CommBank Smart Awards Card |
Shop Keeper |
Photoplay |
dir. Sarah Adamson |
2023 |
|
|
|
|
|
|
Film
|
|
|
|
|
| Bus |
Dave |
Sydney Film School |
dir. Courtney Eather |
2025 |
| Azazel |
The Dark Man |
Macquarie University |
dir. Ellis Plant |
2025 |
| Missed Call |
Mr Sullivan |
SHH Studios |
dir. Henry Smith |
2025 |
| Express Yourself |
Father |
Macquarie University |
dir. Ellis Plant |
2025 |
|
|
|
|
|
|
Web Series
|
|
|
|
|
| KOBBAH – Pilot Episode |
Board Member |
KOBBAH |
dir. Tim Davies |
2025 |
|
|
|
|
|
|
Theatre
|
|
|
|
|
| Angauwa |
Rebhur |
Parramatta’s Lit / Syd Fringe |
dir. Augusta Supple |
2025 |
| Shakespeare in Love |
Tiilney, et al |
New Theatre |
dir. Maddie Withington |
2024 |
| Hangmen |
Arthur |
New Theatre |
dir. Deborah Mulhall |
2024 |
| Persuasion |
Sir Walter |
Genesian Theatre |
dir. Trudy Ritchie |
2019 |
| Three Sisters |
Andrey |
Genesian Theatre |
dir. Timothy Bennett |
2015 |
| The Winslow Boy |
Desmond |
Genesian Theatre |
dir. Nanette Frew |
2015 |
| Dangerous Corner |
Robert |
Genesian Theatre |
dir. Peter Lavelle |
2013 |
| Great Expectations |
Magwitch |
Genesian Theatre |
dir. Roger Gimblett |
2012 |
| Terra Nova |
Amundsen |
Genesian Theatre |
dir. Mark Langham |
2012 |
| Journey's End |
Trotter |
Genesian Theatre |
dir. Debbie Smith |
2010 |
| Lord Arthur Savile's Crime |
Winkelkopf |
Genesian Theatre |
dir. Timothy Bennett |
2010 |
| The Hollow |
Edward |
Genesian Theatre |
dir. Paula Bate |
2007 |
| The Tempest |
Caliban |
Genesian Theatre |
dir. Roger Gimblett |
2007 |
| Mad About Men |
Jeff |
Genesian Theatre |
dir. Shane Bates |
2006 |
| A Man for all Seasons |
Roper |
Genesian Theatre |
dir. Joyce Birch |
2006 |
| The Wind in the Willows |
Mole |
Genesian Theatre |
dir. Rebekah Jennings |
2006 |
| Brideshead Revisited |
Bridey |
RGP |
dir. Roger Gimblett |
2006 |
| Worry Warts |
Mr Shipley |
Genesian Theatre |
dir. Timothy Bennett |
2006 |
| Sense and Sensibility |
John |
Genesian Theatre |
dir. Pamela Whalan |
2005 |
| The School for Scandal |
Trip |
Genesian Theare |
dir. Karen O'Brien-Hall |
2005 |
| Habeas Corpus |
Dennis |
Chester Street Theatre |
dir. Dennis Went |
2004 |
| Relative Values |
Nigel |
Genesian Theatre |
dir. Rebekah Jennings |
2004 |
| The Last Supper |
various |
Sydney Uni Dramatic Society |
dir. Kristina Gottschal |
1999 |
| Dido Queen of Carthage |
Achates |
Sydney Uni Perf Studies Society |
dir. Lyndon Barnett |
1998 |
| Waiting for Godot |
Vladimir |
Sydney Uni Dramatic Society |
dir. Chris Vandegeest |
1997 |
| The Man of Destiny |
The Lieutenant |
Sydney Uni Dramatic Society |
dir. Lyndon Barnett |
1997 |